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Arushi Jain presents her flight-inspired Crack Mix: “The undulations in air pressure, bass drone of the engine, and dizzying distance from earth encourages external waves of emotion. In between now and when I’m back on land, I have an opportunity to release, and ready myself to be replenished. These moments are delicate, not unlike the music I chose for this mix.”

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NikNak makes a mellow mix for Ransom Note, self-described as a "timescale depiction of a day on the beach."

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Here's a 3-hour ambient mix from UK producer James Holden recorded live at a silent party hosted by Speckle in London.

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LA-based harpist and composer Nailah Hunter presents her Sunday Mix for Crack Magazine: "A mix to warm the heart, best enjoyed with a cup of coffee and plenty of sunlight."

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Purelink follow one of the most acclaimed albums of last year with a mix for Resident Advisor: "This is 90-plus minutes of intricately textured downtempo, dub techno and even UK garage, all cut through with a floaty, almost drowsy quality."

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Julie Byrne makes Crack Magazine a Sunday Mix "for when the night fades into something irreplaceable. For when armour deteriorates. For leaning out the window to find the moon and stars. For when the gate opens."

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Japanese DJ Compuma has shared a mix of Ryuichi Sakamoto tracks that scored a demonstration to save a scenic Tokyo district—an issue close to Sakamoto's heart.

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Istanbul-based singer-songwriter and DJ Ahu mixes a 2-hour jazz special on her Worldwide FM show.

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Canadian producer Khotin renders a dreamy ambient mix for Ransom Note.

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For their Mixmag cover mix, Ivy Lab offer up an hour of unreleased material, all their own.

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Label/mix series Animix present Purelink's downtempo mix: "I love the balance between foggy and euphoric they've managed to create in this hour-long trip."

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Recorded live at Dekmantel's Selectors 2022, Rotterdam DJ Charmaine slows it down with 3-hour set of funk, soul, jazz, and beyond.