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Foxes in Fiction - Antibody
Abduction RadiationFollow “New York City, NY – During the years of running this blog, Orchid Tapes has been…” on Sep 16th, 2019 →
Tony Njoku - Rapture
AnalogueTrashFollow “Tony Njoku’s music can be a deliciously bewildering kaleidoscope of sounds and styles at times, but…” on Aug 13th, 2019 →
Henry Wu - Wivout U
RecorderFollow “A Yussef Kamaal duó egyik fele, a Henry Wuként is ismert brit jazzbillentyűs és deep house…” on Jan 8th, 2020 →
Rosie Tucker - Ambrosia
HullabalooFollow “Post by Misha Rosie Tucker makes songs that are very easy to see into, like walking…” on Oct 17th, 2019 →
Ronin Arkestra - Cosmic Collisions
Burl Veneer's Music TumblrFollow “Ronin Arkestra - Sonkei - full album by Mark de Clive-Lowe’s all-star band of Japanese jazz…” on Oct 4th, 2019 →
In Vulture, Dan Reilly asks TV and film music supervisors how they got (or didn't get) that song into your favorite scene:
"The harder part of the job is when you get a great song and then the director decides he doesn’t want it after you did all this work. I had that happen with David Bowie, with The Rugrats Movie."
Thanks for listening!
—Dave & Team Hype Machine