Ridiculously good. Strange slow-moving creaking performances on string and wind instruments and accordion of some kind, acoustic drone and acoustic doom... Beautiful discords, patient, ugly-beautiful melodies.
Weirdly it's mixed almost mono, but clearly not quite. This makes the atmosphere creepier and more oppressive, so I guess... fair enough? Peter Hollo
A fascinating retrospective sheds light on the mysterious singer best known for the ’80s cult hit "Goodbye Horses." Bandcamp Album of the Day...Feb 21, 2025