supported by 49 fans who also own “Mal da Palavra”
In some entheogen-happy New Age chapel, Chicago Post-Rock and Cascadian Black Metal tied the knot. Then they went to Brazil on their honeymoon. Actually, Caio Lemos has been gradually mellowing and expanding his mind towards this sound: Metal in its genetics, if not in its evident phenotype. Emphasis on the Indigenous Avant-Folk and the Atmospheric. I like to imagine that the eggs on the cover of 'Só quem viu o relâmpago à sua direita sabe' have hatched and spread their wings for bluer skies. stoneja
supported by 45 fans who also own “Mal da Palavra”
Jorge Ben Jor dropped in on the recording session of Roots. During a smoke break behind the studio, Igor Cavalera loaned him a worn copy of Hvis lyset tar oss and confessed that, while all the berimbau and chanting they'd recorded that day was cool, he feared Sepultura was starting to lose their bearings. Back home that night, Ben Jor spun the Burzum record. The sound of rain against his roof blended with the bleak, abrasive, yet oddly hypnotic music, suggesting a bold creative evolution . . .
stoneja
Darkwave synth that directly addresses our modern dystopian political environment, with proceeds going to the Voting Rights Project. Bandcamp... New & Notable Oct 17, 2018
Madeline Goldstein's fusion of cinematic dream pop and darkwave manages to sound both nostalgic and contemporary. Bandcamp New &... Notable May 16, 2023
supported by 44 fans who also own “Mal da Palavra”
I am such a sucker for Bríi's experimental approach. My favorite of Caio Lemos projects though they are all groundbreaking. But Bríi has it all and flirts with such vast range of genres that you never know what's around the corner. 𝙅𝙤𝙚 𝙎𝙥𝙞𝙣𝙚𝙡𝙡