Metal Body,
And they rip you to pieces
Here, I saved you these pieces
But save us and save me and save all your speeches
Waking up on a table x 2
I hate this, I hate this
I’m weightless, I’m weightless
I hate this, I hate this
I’m weightless, I’m weightless
She’s a child,
A child in all of this
She’s a child,
A child in all of this
Metal Body,
And they rip you to pieces
Here, I saved you these pieces
But save us and save me and save all your speeches
Waking up on a table x 2
I hate this, I hate this
I’m weightless, I’m weightless
I hate this, I hate this
I’m weightless, I’m weightless
She’s a child,
A child in all of this
She’s a child,
A child in all of this
The brace, the brace
It weighs a thousand tonnes
A million daughters
A thousand sons
The brace, the brace
It weighs a thousand tonnes
A million daughters
What’s done is done
The brace, the brace
It weighs a thousand tonnes
A million daughters
A thousand sons
The brace, the brace
It weighs a thousand tonnes
A million daughters
What’s done is done
She’s a child,
A child in all of this
She’s a child,
A child in all of this
She’s a child,
A child in all of this
(The Brace)
She’s a child,
A child in all of this
(The Brace)
credits
from All Is Forgiven,
track released November 9, 2022
Written by Ruby Marshall & Joshua Prendergast
Performed & Arranged by
Ruby Marshall - Vocals + Guitar
Joshua Prendergast - Guitar
Talitah Harding Hone - Bass
Brodie Casey - Drums
Recorded and engineered by Daniel Caswell
Produced by Daniel Caswell
Mixed by James Trevascus
Mastered by Grant Berry
Naarm/Melbourne based musician ENOLA infuses hard hitting tracks with a stinging vulnerability, applying the salve to the
self-inflicted wound. With an instinctual understanding of the balance between heightened drama and grimy reality, ENOLA is simultaneously screaming from the rooftops and digging their nails into the cracks of the pavement....more
The great underlying instrumentation paired with Florence's droll stream of consciousness lyrics make this album stand out. It feels so personal and confessional. Favorite tracks are Strong Feelings and Leafy. I've heard Scratchard Lanyard on alt radio and love that one as well. tofupotpie
I was one of the few who couldn't quite embrace "New Long Leg", so when they released the follow-up "Stumpwork", it was much easier to embrace. More haunting, adventurous and brooding than its' predecessor. Matthew Flores