air sound machine installed on stage at Teatro Carignano in Turin as part of the trio’s performance there. This charged, ambivalent image of a blank flag evokes the transcendence of the national, a prescient visual motif that meditates on the contemporary uncertainty around notions of national identity and borders but perhaps also a ‘carte blanche’ for the artists involved, in which they can deviate from the confines of their usual practice into new and strange territories.
For each piece Bastien’s unique sonic style: by turns his kinetic mecanoid motors, capriciously arrhythmic pipes, or the peculiar sussurus of paper, creates a world in which Tomaga introduce their musical pallete. Magaletti’s percussion anchors these sometimes chaotic forces into beguiling syncopations, with Relleen’s synthesizer and organ work creating harmonic counterpoints and interruptive provocations, to which Bastien responds with lyrical turns on prepared trumpet, rubber band, tin foil and bass ocarina.
The results are curiously evocative of free jazz by the likes of Sun Ra or Art Ensemble of Chicago paired with the percussive sound worlds of artists like
Francis Bebey or Muslimgauze along with unique and sometimes bizarrely exotic tonal landscapes of composers like Catherine Christer Hennix, Carl Stone, or Egisto Macchi. All three musicians seem to find space to bloom in ways that are markedly different from their individual work and the resulting album is a strikingly original and powerfully bold affirmation of what can happen when venturing beyond the normal in pursuit of the other.
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