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Mirrored

4.7 4.7 out of 5 stars 183 ratings

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Warp Records

About us

For 30 years Warp Records has been a synonym for adventures in sound and vision, consistently furthering their position as one of the most creative independent record labels in the world. With a rich legacy and consistently groundbreaking vision of the future, Warp and its artists traverse mediums to explore new spaces. Aphex Twin, Brian Eno, Flying Lotus, Hudson Mohawke, Kelela and Squarepusher are just a few who represent the label.

Track Listings

1 Race: In
2 Atlas
3 Ddiamondd
4 Tonto
5 Leyendecker
6 Rainbow
7 Bad Trails
8 Prismism
9 Snare Hanger
10 Tij
11 Race: Out

Editorial Reviews

Battles' first album proper is a significant measure of evolution from a band that has yet to cease moving. Still entirely intact are the unflinching experimentations and metallic angles of their young catalog, but a new melodic insight has manifested itself in the form of some of their most engaging tracks yet. Mirrored has received 'Best Of 2007' accolades by the likes of TIME Magazine, NME, Pitchfork, URB, Spin, MOJO and others.

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 5.04 x 4.96 x 0.24 inches; 2.12 ounces
  • Manufacturer ‏ : ‎ Warp Records
  • Original Release Date ‏ : ‎ 2007
  • Date First Available ‏ : ‎ March 21, 2007
  • Label ‏ : ‎ Warp Records
  • ASIN ‏ : ‎ B000OLHGBQ
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 183 ratings

Customer reviews

4.7 out of 5 stars
183 global ratings

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Top reviews from the United States

  • Reviewed in the United States on January 4, 2008
    "Math rock" is usually associated with practical complexity. By this I mean that bands that are identified with the genre generally think about the way in which they can perform complex musical material in a live situation. Battles' "supergroup" pedigree includes math rock monsters such as Don Caballero and Helmet, and as a critical fan of so-called "math rock," they have piqued my curiosity since their first EP. However, I never bought any of their albums.

    Then I saw the video for "Atlas," and this curiosity became a fascination. I have long been a fan of King Crimson circa 1980, and it seemed like Battles engages contemporary technology and virtuosity in the same way that Fripp and co. did on "Discipline." I immediately bought "Mirrored," and in the final weeks of 2007, it shot up my personal "album of the year" charts.

    What is really fascinating and ultimately satisfying about "Mirrored" is unraveling its tapestry of execution. I love to contemplate "who" is playing "what." This form of listening is particularly stimulating when you have a band full of multinstrumentalists that sample, loop, tap, and generally thrash their way through their work.

    As usual, the most publicly accessible song on the album is not necessarily the most representative. I think that "Atlas" is great. The video reflects the energy and experimentalism of the band very well. However, there are songs on the album that show "Atlas" to be the "single" that it is. "Tonto" is a beautiful piece of work, as is "Race: In" and "Tij." "Race: Out" is a fun "whack-a-mole" game of "who is playing what" and "Bad Trails" shows Battles' potential for more atmospheric work. The only work that I could offer any critique for is "Rainbows." It is wonderfully epic, and covers a great amount of musical ground, but seems a little repetitive. The same seven-minute song could potentially be done in five.

    The lowdown: Battles creates highly active music that is satisfying on intellectual and accessible levels. To the passive listener, "Mirrored" may bring to mind the work of avant-garde DJ's, like DJ Shadow or BT. For the more invested listener, Battles' potential for mind-boggling virtuosity, a la King Crimson or Don Caballero, is similarly compelling. A quick YouTube search will confirm this - I dare you to check it out.
    13 people found this helpful
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  • Reviewed in the United States on August 26, 2022
    I love an album that I can listen to all the way through, with out skipping a song. This one nails it. Every listen i hear something new. Really digging it.
  • Reviewed in the United States on September 21, 2008
    I had to come back to edit my review of after having this album for a while and the hype died down. Tt really doesn't hold up that well after repeated listens. The vocals are for the most part really annoying, with the exception of a few moments here and there. The songs, though having interesting parts and sounds, this is as far as it goes. It sounds just like that, a bunch of weird parts sort of stuck together. They lack any memorable structure. John Strainer's drumming is painfully stiff, especially in the opening track where there's absolutely no dynamics or feel to his afro-pop-esq opening rim shot pattern. Its a beat that should breath and flow with the accents of the song, but instead every note is played at one single volume, making the beat essentially grooveless. The second track is unbearable, I have to skip it every time.

    In the battle between Battles, and Neo-Don Cab, Neo Cab are the clear winners.
  • Reviewed in the United States on January 11, 2017
    If Pink Floyd or Emerson, Lake and Palmer had been at their creative peaks now, they would have been putting out music like this. Use of today's musical technology while still experimenting with things such as timing - much like Dave Brubaker did on the classic "Time Out" - makes their music intersting.

    Pleasant, but not boring, listening.

    Enjoy!
    2 people found this helpful
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  • Reviewed in the United States on November 9, 2007
    I came to this record with the bias of expecting Damon Che (Don Caballero's drummer). So it took me a while to really get past the fact that this is an entirely different project, though nonetheless incredibly engaging and as unique as the final two Don Cab records that included Ian Williams. It gets better every play, really. I'm very skeptical about "grower" records. This is one. It is real. And it is GOOD!
    One person found this helpful
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  • Reviewed in the United States on October 8, 2014
    This record is literally bursting with musical ideas based mostly on how to manipulate live performance with technology. It's really exciting, adventurous rock. I already had a huge admiration for Ian Williams in Don Cab, and hadn't heard of the other dudes before this band, but it's really, really good, and always interesting.
    One person found this helpful
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  • Reviewed in the United States on January 10, 2019
    this thing is literally bursting with creativity. plz get it
  • Reviewed in the United States on September 4, 2015
    If you're going to start a math rock phase, start here and you wont be dissappointed.
    One person found this helpful
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Top reviews from other countries

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  • Felipe
    5.0 out of 5 stars Gran calidad de audio
    Reviewed in Mexico on January 9, 2023
    El sonido del vinyl es espectacular, gran trabajo de Warp Records en esta reedición!
  • Stephen D. Fairchild
    5.0 out of 5 stars Superb album
    Reviewed in the United Kingdom on February 18, 2019
    Weird music at its best
  • ランドルト環
    5.0 out of 5 stars Battles: Mirrored (2007)
    Reviewed in Japan on February 22, 2018
    2002年にニューヨーク市で元ドン・キャバレロ(Don Caballero)/ストーム・アンド・ストレス(Storm & Stress)のイアン・ウィリアムス(guitar, keyboards)、元リンクス(Lynx)のデイヴィッド・コノプカ(bass, guitar, effects)、元ヘルメット(Helmet)のジョン・ステイナー(drums)、アンソニー・ブラクストンの息子のタイヨンダイ・ブラクストン(guitar, keyboards, vocals)によって結成されたアメリカ合衆国のエクスペリメンタル・ロックバンド、バトルス(Battles)の1作目のフルアルバム。2007年にワープ・レコーズから発売された。

    1980年代後半以降のポスト・ハードコアやマスロック等のUSインディーロックを源流とするインストゥルメンタル・ロック。

    ジョン・ステイナーの強力なドラムその他の生楽器と電子楽器による、ループを多用したミニマルな音楽。変拍子やアフロビート、ポリリズムを含んでいる。

    肉体性と数学的な構築性を併せ持った実験的な音楽だが、カラフルで万華鏡のような音色のポップでユーモラスな音楽でもある。

    シングル曲、「Atlas」、「Tonto」収録。「Atlas」はシャッフル・ビート(ブギー)の反復リズムを用いた有名曲。
  • Gianluca
    5.0 out of 5 stars l'odissea nello spazio dei Battles
    Reviewed in Italy on June 30, 2016
    Se l'odissea di Kubrick era ambientata nel 2001 è 6 anni dopo che nella realtà i Battles effettuano la loro personale odissea nello spazio. Questo è il rock del futuro e forse non è più neanche rock. "Mirrored" è uno dei manifesti più importanti della nuova ibridazione tra rock e l'elettronica, dove del rock resta l'energica ritmica, la pulsione di base, mentre tutto il resto passa attraverso il filtro delle nuove tecnologie. Nei battles il contatto con il mondo rock è maggiormente sentito rispetto ad altri pionieri del genere per la presenza di Ian Williams, storico ex chitarrista dei Don Caballero, formazione chiave del rock alternativo degli anni 90 e padrini della scena math rock, e poi membro portante dei Storm & stress, altra band cardine del rock sperimentale di fine anni 90-primi anni 2000. Guardando questa evoluzione forse era naturale che fosse questo l'approdo stilistico della sua nuova creatura. E poi al suo fianco c'è Tyondai Braxton, giovane mago del suono digitale nonchè figlio di Anthony Braxton. "Mirrored" è e resterà un album capitale per molto tempo e sarà ricordato come uno dei prodotti simbolo di una nuova svolta stilistica nel già molto vario calderone del rock moderno.
  • David Hartmann
    5.0 out of 5 stars Super, schnell und gut!
    Reviewed in Germany on January 19, 2014
    Sehr schneller und freundlicher Service, keine Probleme, sehr zuverlässig. Artikel einwandfrei, keine Kratzer, keine Abnutzung, Produktbeschreibung einwandfrei, Jederzeit wieder! Sehr positiv!